Fringe 2026: The Syllabus explores media, identity, and happiness

Michael Gougis has spent more than two decades teaching media studies. After realizing his introductory course's opening hour had evolved into something resembling a performance, he decided to make it official. The Syllabus, his 40-minute solo show now playing at Ottawa Fringe, uses the classroom as a framework to explore media consumption, identity, happiness, and the ways modern culture shapes how we see ourselves. Drawing on his background as both an investigative reporter and professor, Gougis keeps the house lights up in traditional storytelling style—a choice that makes the audience feel like students attending the first day of an eight-week course. "The audience is positioned as students," the production notes say. "Much of the material is presented as an extended introduction to larger ideas." Gougis raises questions about media literacy, identity, and the influence of mass media on our lives. The show invites reflection rather than offering definitive conclusions. The strongest moments come when he steps outside the classroom structure and shares personal observations—sitting on a stool, speaking directly from experience, revealing the voice behind the lecture. As a performer, Gougis is personable and sincere, creating an atmosphere that feels welcoming rather than instructional. The energy shifts as the show moves between humour, reflection, and discussion. The Syllabus plays at Studio 1201 until June 28. Tickets are $14 plus service fees, available online, at the Fringe box office (67 Nicholas St), and at two satellite box offices: Arts Court (2 Daly Ave, 3rd floor) and La Nouvelle Scène (333 King Edward Ave). Five and ten Show Passes are also available.