Richmond Hill pottery studio launches cheeky OnlyFans campaign to revive craft and fund operations
Hill Potters' Guild, a non-profit co-op since 1978, created a "Ceramics are Sexy" video series to tap new audiences and keep the studio financially afloat.
Sources · local media reports
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Arts institutions across Ontario have been buckling under the strain of diminishing funding, rising costs, and dwindling participation. Richmond Hill's Hill Potters' Guild, a non-profit arts co-op operating since 1978, decided to push back with an unorthodox move: OnlyFans.
In collaboration with local creative consultancy Black Jet Inc., the Potters' Guild created a nine-part video series called "Ceramics are Sexy," poking fun at the sensual association that pottery has come to be associated with — thank Patrick Swayze and Demi Moore for that cultural shorthand.
The titillating video series features potters providing actually useful, albeit euphemistic, pottery advice: instructing viewers to "grip the base" and "remember, a firm grip makes all the difference." The videos are free to watch on the platform, though viewers do need to create an account. If the platform isn't your speed, you can get your hands dirty with a class or membership at the Hill Potters' Guild itself.
The guild took keen note of the salacious stigmas surrounding OnlyFans and decided to use them to their own benefit — launching the campaign to encourage a new generation to pick up the craft. Unlikely though the pairing of a nearly 50-year-old potter's guild and OnlyFans may seem, it's become a match made in heaven for the studio's survival.
At a glance
What is the 'Ceramics are Sexy' series?
Hill Potters' Guild created a nine-part video series on OnlyFans called 'Ceramics are Sexy' that offers pottery instruction through playful, euphemistic language. The videos are free to watch, though viewers need to create an account.
Why did Hill Potters' Guild launch this campaign?
Hill Potters' Guild, operating since 1978 as a non-profit co-op, launched the campaign to attract new audiences to pottery and secure funding to keep the studio financially viable amid rising costs and diminishing support for arts institutions.